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REVIEW: Star Wars: The High Republic – The Rising Storm

It’s fair to say that Star Wars’ new multi-pronged literary initiative, Star Wars: The High Republic, got off to a good start. Charles Soule’s Light of the Jedi soared to the summit of The New York Times Best Sellers list with a #1 debut and the accompanying material of Young Adult and Junior novels and comics were met with adoration from fans around the world. With readers of all ages eagerly anticipating this new era of storytelling, it certainly meant a lot was riding on the second wave of High Republic stories. Luckily, Star Wars: The High Republic – The Rising Storm by Cavan Scott (published by Del Rey) delivers on every possible front.

Following the events of Light of the Jedi, The Rising Storm does what all great second installments accomplish by deepening the characters and raising the stakes to a devasting degree. It is incredibly difficult to encapsulate what The Rising Storm accomplishes concisely. When I try to speak about my experience with it, several emotions and feelings rush to the tip of my tongue. Captivating. Inspiring. Brutal. Spiritual. Sensual. Debilitating. The main takeaway is that any reader ready to take the plunge into this novel should be prepared to FEEL because Scott hits you at the same level General Veers hit Echo Base’s shield generator: Maximum Firepower.

Light of the Jedi was a triumphant read, both emotionally and in terms of plot. However, by the end, Soule really lays some groundwork for the darkness that is to come, and after reading that playbook, Scott comes in and executes in the Rising Storm. This novel is Darkness. A horrible, rumbling, foreboding sense of evil on the rise that is not looking to relent. Scott achieves this storytelling primarily by focusing on several characters who are really getting to shine for the first time in this era. I would say the standouts are Elzar Mann, Ty Yorrick, and Stellan Gios because they are characters who complicate the narrative of who we believe heroes are in this era. Mann continues to struggle with a vision of doom he feels powerless to stop and plays in emotional areas we have never really seen a Jedi navigate. Yorrick is essentially, if you’ll allow a reference to another fictional universe, a Force-sensitive Witcher whose path has been guided by who is offering the highest number of credits. Gios holds the morality of a vintage Jedi hero and certainly appears the part.

You rarely find yourself rooting against him, but Stellan’s complications come from the future he is symbolizing. Knowing what we know about the role of the Jedi Order in the Prequel era, he appears to be one of the first steps toward the clouded, politically-minded Jedi. His new responsibilities as a Council member have him working in conjunction with the Chancellor more often and you can begin to track how the Order came to be the home of the Prequel Jedi we know and love who were so blinded by the machinations of the Senate (and of a Sith Lord, to be fair) that they could not prevent their own downfall. These three imperfect heroes end up being the perfect lenses through which to show a galaxy that appeared to be in its zenith but is truly teetering on its breaking point.

Of course, the story is not complete without observing the main antagonists assaulting that galactic breaking point. The Nihil continue to develop into a ruthless foe, united in their hate for the Republic and the Jedi but riddled with the distrust and back-stabbing power struggles you would expect to come from a society with no real moral center. While entrusting the responsibilities of fighting the Republic to his Tempest Runners, resulting in the incredibly epic, action-packed attack on the Republic Fair, Nihil leader Marchion Ro delves into a long-lost galactic secret that is in equal parts awe-inspiring and horrifying. By the novel’s end, you truly wish some secrets had remained hidden. The increasingly unstable Ro is determined to inflict tragedy upon the heroes of the Republic and through his actions, we truly begin to see what is at stake in this phase of the conflict.

Which, much to the terror of all readers, is where this novel ends. Cavan Scott leaves us with the cliffhanger of our nightmares. One final twist of the knife before he thanks us for reading his novel. It is simply one of the most sadistically brilliant endings to any installment of a Star Wars story and it propels this first phase of High Republic storytelling into its final wave. What awaits in Wave 3 and then eventually Phase 2 has fans of the era in a feverish state, and anyone curious about what kind of power The High Republic can wield needs to get on board with this novel.

If you have yet to read any of Cavan’s work, the prowess of his craft is so evident in this book and he really shows why he has been entrusted to be on the creative Dream Team for this initiative. Earlier I said it was hard to concisely encapsulate or explain what this story accomplishes, but it took me several hundred words to realize that might not be true. Simply put, this novel is pure, unchained brilliance. Anyone who loves emotionally impactful storytelling, let alone Star Wars, will find it to be a vital piece of art.

Star Wars: The High Republic – The Rising Storm is available to purchase at all bookstores.

It’s fair to say that Star Wars’ new multi-pronged literary initiative, Star Wars: The High Republic, got off to a good start. Charles Soule’s Light of the Jedi soared to the summit of The New York Times Best Sellers list with a #1 debut and the accompanying material of Young Adult and Junior novels and comics … Continue reading REVIEW: Star Wars: The High Republic – The Rising Storm

RECAP: Star Wars: The Bad Batch – E4: Cornered

Fennec Shand (Ming-Na Wen) — Image: Lucasfilm

Ah, Fridays. A day that has become synonymous with Star Wars as much as the months of May and December. Yes, we’re back again to discuss another great episode of The Bad Batch, that sees our heroes try to restock on supplies and face off against a very familiar foe. All while managing to display the best animation we’ve seen so far on a Lucasfilm Animation project.

As per usual, a quick reminder that this recap will contain spoilers for the episode and so if you haven’t caught up yet – please do not read any further! Well, watch the episode and come back, but if you need something to pass the time away, don’t forget you can watch our new discussion show ‘The Bad Betches‘.

After last week’s exploration of Crosshair’s indoctrination, you’d be forgiven for assuming that this episode would audiences a brief respite from the action. Nope! Instead, we’re flung into a sprawling, gorgeous metropolis and have a prequel-inspired bounty hunter chase scene. After debuting in the first season of The Mandalorian, Fennec Shand (Ming-Na Wen) makes her first appearance in animated form. Ming-Na is no stranger to animation after having played Mulan for Disney, and it shows in her performance – which is utter perfection.

The episode takes place on the moon Pantora, mentioned before in The Clone Wars, and is a Coruscant level beauty – a colourful city with elements of Russian architecture. The animation team really deserves to win an award for this episode, in particular, it’s definitely the best that Lucasfilm Animation has ever looked. We see The Bad Batch split up as they work to fix their ship, as well as pick up supplies for the foreseeable future. It’s a fun story beat that would usually be repetitive but is given a new lease of life through the lens of Clone Force 99 – soldiers who aren’t used to living life on the outskirts, making dodgy deals and trying to survive in this new environment.

We do get to see more of the Galactic Empire’s expansion throughout the episode, although it’s not the core focus. It’s chilling watching these characters that we’ve grown to love over seven + seasons of the Clone Wars marching all together as Imperials – all sense of identity removed, and splashed in the identical white-clad armour. But what’s more frightening is seeing the citizens respond to this display with cheers and joy. To them, the Imperial forces marching through is a positive sign proving that war is over and that things are here to improve. It’s a great move on behalf of the storytellers to show us the reaction on Onderon and Pantora – both ‘saved’ by the Republic, but both showing a different response to the Empire’s occupation.

Hunter (Dee Bradley-Baker), looking for Omega — Image: Lucasfilm

Omega, still inquisitive as ever finds herself lost from the crew and into the seemingly safe arms of a kind stranger. And, just a reminder – don’t walk off with a stranger. Hunter catches up with Omega and the helpful woman who turns out to be Fennec Shand. It’s so much fun watching Fennec interact within this time frame and opposite clones, I wonder if she already had a professional relationship with Boba Fett at this point or whether that was just a fun story for her to tell him in the future. Either way, we get to see Fennec easily handle herself against the crew and it’s just by luck that they manage to escape. It’s not really a surprise to know that Ming-Na continues to kick ass in every conceivable format made available, but it’s still a joy to watch.

We’d be remiss not to bring up Echo’s side adventure as he is sold off in disguise as a droid and is introduced to another cute array of Astromechs and a bossy Protocol Droid. Again, an array of non-humanoid characters that we’d die for despite only knowing them for a few minutes. There was some debate online whether it was rude of Hunter to let Echo be treated as a droid, given his traumatic experiences, but I doubt Echo would have gone with the plan if he was that against it – and the same with Hunter. It’s been a while since we saw them introduced in TCW, but I would have imagined that Echo and the group have bonded as much as he has with other clones we’ve seen in the series. It’s just a fun little comedic bit, where Echo gets to say “I know what I’m worth” – and you know what? Good for him.

Thankfully, The Bad Batch manage to escape with both their supplies and the knowledge that somebody is looking for Omega. But who would put a bounty on Omega’s head? The obvious thought would be the Empire, but why wouldn’t they have included the entire team? Perhaps it’s actually the Kaminoans, who as we all know have a long history working with Bounty Hunters. It adds another interesting layer to The Bad Batch’s current dilemma.

Fennec Shand (Ming-Na Wen), facing off against the Bad Batch — Image: Lucasfilm

Overall, Cornered was a beautiful episode that displays some of the best animation displayed in Star Wars history so far. It also shows how The Bad Batch is an excellent conduit to look at the numerous ways the Galaxy changed so soon under the Empire’s grip, while being able to expand on others stories – whether that’s telling new ones with Omega or expanding on others, like with Fennec.

Oh, And Another Thing:

This episode was written by Christian Taylor – who wrote both the Mortis & Yoda arcs in ‘The Clone Wars’.
SNL alums and Star Wars fans Bobby Moynihan and Taran Killam both appear in the episode as the Trader & Goatal/Depot Manager.
This is the first time we’ve seen Pantora, but not the first time we’ve seen the Pantorans. Of course, we met them in The Clone Wars Season One and in Revenge of the Sith, including Notluwiski Papanoida (played by George Lucas).
Shoutout to the Aqualish driver just chilling out to Space-Dubstep. We respect you.
How cute was the little Clone Trooper doll, designed to look like the Stormtrooper one that Jyn had in Rogue One? Can we have one…please?
This episode had a lot of AOTC vibes, with the sound design and visuals calling back to the chase between Obi-Wan/Anakin & Zam.
I think if The Bad Batch had a blue font moral at the beginning like The Clone Wars, this week’s one would be DON’T TRUST PEOPLE.
Where do you think The Bad Batch will head to next? – based on the trailer we’re still due to visit Zygerria and Captain Rex.

Ah, Fridays. A day that has become synonymous with Star Wars as much as the months of May and December. Yes, we’re back again to discuss another great episode of The Bad Batch, that sees our heroes try to restock on supplies and face off against a very familiar foe. All while managing to display … Continue reading RECAP: Star Wars: The Bad Batch – E4: Cornered

RECAP: Star Wars: The Bad Batch – E2: Cut and Run

What’s better than a new episode of Star Wars Animation? TWO episodes in the same week! Yes, that’s right. After celebrating Star Wars Day (a very belated May the 4th Be With You), we’re back with The Bad Batch crew for another adventure in a galaxy, far, far away.

Are we allowed to let out an excited squee yet? Because what an episode, full of returning characters/creatures and a look at how fast fascism can set in.

Firstly, the episode kickstarted off with a simple title card and no narration from Tom Kane. This emphasises the usage of it in the first episode and reinforces the fact that we are not in The Clone Wars anymore. This is The Bad Batch, post-war, and their journey through this new twisted galaxy.

But not everything is evil in the galaxy, as we see when we get to see a glimpse of Hunter and Omega asleep on the ship looking absolutely adorable. After Episode 1, it was clear these characters were some of the audience’s favourites and I think this episode gives us even more of that. A delightful respite from all the evil-doing that’s going on elsewhere.

At the end of the last episode, The Bad Batch said that they were going to find an old friend who could help them out. That journey takes the squad to the planet Saleucami, which is the first planet outside of Kamino that Omega has ever set foot on. In a moment that feels very much like the scene in The Force Awakens when Rey first steps on Takodana, we get to view Omega’s joy and giddy enthusiasm about something new – even if it’s just dirt. The characters find their ‘old friend’, who is revealed to as an old friend of ours too, – Cut Lawquane!

The character, a deserter clone, first appeared in the second season of The Clone Wars alongside his Twi’lek wife Suu and her children Shaeeah and Jek. Here we see the Bad Batch get to interact with another Clone who would be considered ‘an outsider’, as they ask for his advice on laying low and avoiding being found. It’s a lovely moment, which is sure to elicit some fond ‘homely’ memories as they use the sound effects from A New Hope – namely from the Lars’ homestead. A nice touch.

Cut informs the group that Captain Rex has visited the family recently too, informing him of the situation regarding the inhibitor chips and presumably looking to see if it had affect Cut in any way. Omega lets The Bad Batch know about the specifics of the chips, as Tech once again thought that it would have been obvious to everyone else – another bit of levity in an otherwise heavy scene. We also get to see more of Wreckers’ adorable side when Cut’s children Shaeeah and Jek call him ‘Uncle Wrecker!’ – which continues throughout the episode.

We see Omega learning what it’s like to have a somewhat normal life, examining and learning games alongside her new friends. We still don’t know the full details about Omega, which has led some people to theorise that she may have force sensitivity. That mystery is helped set up by Cut’s intrigue, noting “The Kaminoans don’t create without a purpose”.

Speaking of the Kaminoans creations, we see how the Clones and newly-found Empire are really clamping down (both metaphorically and literally) on the Galaxy. Outposts are being set up, ships are being clamped and the Empire has now introduced a new system of chain codes, practically a government-issued number that puts you on their database. The idea of chain codes was first introduced in The Mandalorian but adds an even more chilling note in this series. They’re practically the Star Wars equivalent of ‘identification papers’, something used by fascists like the Nazis during WWII, particularly in countries that they had forcefully invaded. It’s a chilling representation of a police state, giving the Empire full access to details regarding their citizens.

The core struggle in this episode is Hunter’s unease around raising a child, and whether it’s safe for Omega to stay with The Bad Batch. Especially, since the Clones themselves were created for one purpose – to fight. There’s a scene in which Omega accidentally endangers herself trying to receive a ball back, and the difference of approach between Hunter (a soldier) and Cut (someone who has been a parent longer than a soldier, practically) is interesting. It shows that these core characters are learning as much as Omega is, for her, it’s visiting planets for the first time, for them? It’s living their lives.

The Squad work together to create false codes for Cut’s family so that they can escape the planet before the Imperial lockdown begins. We see a nice nod to ANH, with the Clones investigating the ’empty’ ship only to find that Tech, Echo and Omega are stashed away in secret. You know the Clones are officially part of the Empire when they implement those extremely shifty black and orange Astromechs, who quite frankly are no good.

The sequence where Hunter stays by Cut and the family as they slowly but surely make their way through the spaceport while waiting for their codes is fantastic. The tension is built superbly through the music, and the Cut’s anxiety in everything not working. Thankfully, all does eventually go to plan.

There’s the classic “go with them, you’re safer there” trope where Hunter thinks it might be safer for Omega to go with Cut, but thankfully she decides that she wants to stay with her brothers (uncles? how are we phrasing this? Lucasfilm, please clarify!)

Overall, Cut and Run was another fantastic episode and continues a great introduction to this series. After the action-packed 70-minute opener, it was nice to have a relatively quieter episode that delves more into the impact fascism is starting to affect the galaxy.

Oh, And Another Thing:

We get our first look at a new Imperial Bad Guy! Vice Admiral Rampart (whose figure was seen recently online) makes his first appearance in the episode as a hologram.
Tech makes a great point about how the Clones tried so hard to give themselves their own identity away from their designation numbers, while ordinary citizens line up to be given numbers instead of a name.
But seriously, fuck that Astromech and its snitch-scream sequence.
This episode was written by Gursimran Sandhu, who wrote for Game of Thrones!
You know this an official Star Wars Animation when the ‘Generic White Mandalorian Woman’ (pictured below) makes an appearance.

RECAP: Star Wars: The Bad Batch – E1: Aftermath

After what feels like forever since we last visited Star Wars, we finally have new content and on May 4th too! (Happy Star Wars Day to you, reader.) Yes, The Clone War may have ended but we are far from escaping this world just yet as The Bad Batch work their way out of one conflict and into our hearts. So, let’s get into it!

Although, just a quick warning – these recaps will be diving into spoiler territory. If you’re wondering what our non-spoiler thoughts on the premiere were, you can check out our review here.

Are you sure you want to continue? Last warning, forever will it dominate your destiny and all that! Alright, come on then:

Wow. What a way to open up a new chapter in the Star Wars Saga.

Kudos to the team for the genius move of starting the show out as an ordinary episode of The Clone Wars. While many will continue to claim this is a continuation of that show (it isn’t), having Tom Kane and the opening graphic trick the audience into that belief before diving straight into the nitty-gritty of Order 66 and the end of the war was a brilliant idea. It lures the audience into a false sense of security before reminding them that this is a brand new story, that focuses purely on Clone Force 99’s view on the Republic becoming the Empire.

Not to mention the fact that we finally see a cameo appearance from Depa Billaba played here by Archie Panjabi, (aka Pinky from ‘Bend It Like Beckham‘) and young little Caleb Dume, once again portrayed by Freddie Prinze Jr. The story of how Order 66 happened for Caleb and Depa had been told in another format and in a different way, but I think we can forgive the creatives for wanting to once again demonstrate how devastating Order 66 by using a character that fans have a deep connection with. Although, even if you’re not aware that this child will one day become Kanan Jarrus, it’s still a very emotional sequence that also gives us a sense of how The Bad Batch is dealing with this strange new order.

Watching the Clone Troopers, who we of course we’ve grown to know and love in a more profound way through The Clone Wars series, become these automatons is heartbreaking. Maybe even more so now that we get to see this altered behaviour through the eyes of fellow Jango duplicates who aren’t being affected (The Bad Batch). It gives the audience even more of a connection with these characters because we are feeling the exact same way – apprehensive, worried, saddened. All of Clone Force 99 seems to be quite perturbed by this new order embedded in their DNA except for Crosshair, who tries to follow through with the order and kill the Jedi padawan. He later interrogates Hunter’s lack of loyalty, despite the fact the squad themselves were never too big on following the rules. Anyway, we see the team head back home to Kamino where things seem amiss – changes are already in foot, surprisingly fast.

What this episode nails from the get-go are the horrifying nature of the Empire. Palpatine doesn’t slowly introduce elements one by one or decides to introduce elements after he’s formed his Empire, he and others like Tarkin have planned this for years. So, it’s no surprise that they’re already debating the removal of Clone Troopers (citing costs) and already beginning to clamp down on planets that they had previously tried to help ‘liberate’. A point that is further delved into when the team are sent to wipe out Separatist Insurgents only to find out they’re the same villagers that were previously on their side, headed by Saw Gerrera. Saw is played once again by Andrew Kishino, who does a brilliant job at adding in subtle elements of Forest Whittaker’s portrayal of the character, helping to blend those two versions of the character together well. The mission further divides the team and Crosshair, whose inhibitor chip has been causing him to lose some of his free will.

We’re also introduced to the magnificent Omega (Michelle Ang), an inquisitive young girl and duplicate of Jango Fett. While the nature of Omega’s creation is still unknown so far, it was nice to see that the Kaminoans aren’t all bad after all. And the shared connection that some of the cloners seem to have with their creations was sweet to witness, especially as we’re also tuned in to automatically go against the Empire. It was also fun to watch Omega blend in with the rest of the outsiders, while the normal army mock derides them over their differences. But now we know the perfect way to defeat a group of brainwashed, clones of the most feared fighter in the galaxy – FOOD FIGHT!

It’s also a great idea of introducing a new member to the Bad Batch while losing another to the dark side, it helps add to the shake-up of the galaxy as a whole, while also giving these characters another key objective – protect their little sister.

Of course, the core crux of the episode is watching Crosshair’s struggle with his malfunctioning brainwashing chip and his role in this new galaxy. For the others, who haven’t been affected – it’s easy for them to vilify Crosshair. In fact, I guarantee most viewers will immediately feel angry about his actions in the episode. But if anything, it’s clear that Tarkin and the Empire are the real villains here, manipulating and forcing Crosshair against his will and own nature to become a brainwashed killing machine. Much like Bucky Barnes as ‘The Winter Soldier in the Marvel Universe, it’s easy to forget that under the brainwashing is someone struggling for their own will. But the creatives cleverly get around this by having Omega, the adorable empath openly says to him that she forgives him for what he’s about to do – because she knows it’s not his fault.

Crosshair’s journey is one of the most fascinating parts of this series and it will be interesting if we see a redemption arc for the character at all. In a way, I’m hoping that we don’t see it because it highlights one of the core themes of this time period – and that’s tragedy. Post ROTS, we see both Hope and Tragedy being key forces throughout the galaxy, and we see that both in Omega and Crosshair. One allowing the others to escape and bring some good into the Galaxy, the other a physical representation of how the Emperor has brainwashed countless worlds.

By the end of the episode, the show leaves the audience understanding that this is an entirely different show to The Clone Wars – those days have long gone, and like our other favourite heroes in this time period, it’s time for The Bad Batch to go on the run…

Oh, And Another Thing:

How horrifying was it watching the Clones all celebrate Palpatine’s speech from Episode III? Haunting. Also, very nice to hear Ian McDiarmid for the first time in TCW style, even if it’s Audio from the original movie.
Omega is just adorable, and it’s SO good to hear an NZ actress voice the character. It makes all the difference! – and to all those who doubted what accent that was and suggested this was a Palpatine clone, I want you to go to your room and think about what you’ve done.
Can we talk about Wrecker’s little cuddly bear? – what a sweetheart. Who’s your favourite member of The Bad Batch? Let us know in the comments below!
The Red Coruscant Guard *really* are that “it’s always you 3” Harry Potter meme, aren’t they?
Have no fear, we only need to wait 3 more days until the next episode of The Bad Batch! – get in.

After what feels like forever since we last visited Star Wars, we finally have new content and on May 4th too! (Happy Star Wars Day to you, reader.) Yes, The Clone War may have ended but we are far from escaping this world just yet as The Bad Batch work their way out of one … Continue reading RECAP: Star Wars: The Bad Batch – E1: Aftermath

REVIEW: Star Wars: The Bad Batch – Series Premiere

Star Wars: The Bad Batch is Lucasfilm Animation’s latest project, which focuses on Clone Force 99 (AKA: The Bad Batch) after the events of Star Wars: Revenge of the Sith and the Rise of the Empire. First developed by George Lucas and Dave Filoni during the original The Clone Wars run, these troopers were designed to have specific genetic mutations to improve certain aspects/skill-sets. When Disney+ brought back The Clone Wars for its final season, the original episodes were completed and introduced the world to this intriguing and unorthodox band.

But, make no mistake – this isn’t a new season of The Clone Wars in everything but name. If anything, saying so would be a disservice to the storytelling being told in this new show. While the characters, art style and stories are lifted from the other show, The Bad Batch gets to focus on these specific characters and their outlook towards the end of the war and the sudden rise of the Empire. While the characters originated over a decade ago, this new show has Jennifer Corbett as head-writer and Brad Rau as supervising director – their energy and creativity are found all over the DNA of the show, helping to distinguish this as something fresh.

With the Bad Batch already being different from the other troopers we’ve watched over the years through Attack of the Clones through to The Siege of Mandalore, it’s fascinating watching these characters observe how their brothers and their sudden change in attitude now the war is ended. We’ve seen a little bit of this exploration in Star Wars: Rebels, but that was set many years after the events of Episode III. With this show, we get a direct look at how the Galaxy quickly adapts to this new world order and status quo, it’s haunting.

That’s not to say the show is 70 minutes of doom and gloom, that’s far from the case with Dee Bradley-Baker delivering such hilarious jokes and managing to somehow find a way to add more life and originality into these characters, despite having voiced *HUNDREDS* of them. With The Clone Wars, Rebels and Resistance under their belt, it’s no surprise that the animation throughout this premiere episode was absolutely on point, reiterating how this medium is not merely ‘secondary’ to the live-action content, but equal. Whether it’s the consistently rain beaten planet of Kamino or a jungle planet, every location is rendered brilliantly.

Like much of Star Wars, while you will be rewarded as an audience member that has watched The Clone Wars or consumed other media in a galaxy, far, far away – you don’t need to enter this story knowing every single detail. Even the story beats, which will have watchers jumping out of their seats, are crafted in such a way that it still delivers the necessary emotional and story-driven points that it wants to relay. This is a mark of great storytelling – putting an interesting story first and foremost. If it happens to connect to other parts of this world? Even better.

The Bad Batch introduces Omega, a curious and bright child who seems very inquisitive about the Bad Batch and knows all about their various exploits during the war. Omega is voiced by New Zealand actress Michelle Ang who delivers a wonderful performance, portraying both Omega’s caring and inquiring nature with such joy. While first appearing in this show, Omega is definitely going to be a character that fans fall in love with straight away and we wouldn’t be surprised if she rises up people’s favourite character lists. No pressure, Grogu!

Overall, much like the time period in which it’s placed, The Bad Batch is a story of both hope and tragedy. It’s a clever new entry in the Star Wars universe that knowingly takes audience expectations and turns it on its head rather quickly – emphasising how this time in the galaxy is equal parts frightening and exciting.

Star Wars: The Bad Batch is available to watch on Disney+ starting today.

Star Wars: The Bad Batch is Lucasfilm Animation’s latest project, which focuses on Clone Force 99 (AKA: The Bad Batch) after the events of Star Wars: Revenge of the Sith and the Rise of the Empire. First developed by George Lucas and Dave Filoni during the original The Clone Wars run, these troopers were designed to … Continue reading REVIEW: Star Wars: The Bad Batch – Series Premiere